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In her first solo album as a singer and harpist, Arianna Savall introduces us to a repertoire from the medieval and Baroque periods performed with seven different historical harps. The music comes from three countries where the harp has held a prominent position in cultural life: Italy, France, and Spain, in which the harp experienced a flowering of unique variety and beauty. Arianna Savall with her crystalline voice and her sweet playing, reaches the depths of these distant but at the same time so timeless music.
A lost paradise in which hope is awaiting now, to embrace us.
“On this occasion we join her in a joyful Labyrinth, one without a Minotaur, from which we emerge enriched by a beautiful experience both musical and mythological, thanks to the musical thread of another Ariadne and her newly evocative and inspirational journey in the company of harps and songs.”
Jordi Savall
Voix et Harpe gothique
Harpe romaine
Voix et Harpe romaine
Harpe romaine
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Rota
Harpe double d’Aragon
Harpe gothique
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Voix et Arpa doppia
Alonso Mudarra (1510-1580)
Arpa cruzada de dos órdenes
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Arpa triple (Arpa doppia a tre registri)
Arpa triple (Arpa doppia a tre registri)
Voix et Arpa triple (Arpa doppia a tre registri)
Arpa triple (Arpa doppia a tre registri)
Arpa triple (Arpa doppia a tre registri)
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Arpa cruzada de dos órdenes
Arpa cruzada de dos órdenes
*Arrangements/Versions musicales d’Arianna Savall
Arianna Savall
harpes anciennes et chant
Enregistrement au Château de Flawinne, Bélgique les 23 et 24 mai et les 2 et 3 octobre 2018
Enregistrement, montage et mastering : Manuel Mohino