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<\/a><\/p>\nORIENTE LUX CD1<\/p>\n \u00a0 <\/span>1. Sadher Lau Banailo More Boiragi<\/i><\/b> – chant traditionnel de Bangladesh 5\u201913 \u00a0 <\/span>2. La rosa enflorece<\/i><\/b> – chant traditionnel s\u00e9farade 3\u201924 \u00a0 <\/span>3. M\u00eerkut<\/i><\/b> – chant de tradition kurde 3\u201940 \u00a0 <\/span>4. Ya Ghazaly<\/i><\/b> – chant traditionnel (Muwashshah) de Syrie 4\u201900 \u00a0 <\/span>5. Canarios<\/i><\/b> – Michael Praetorius, Terpsichore<\/i>, 1612 4\u201916<\/span><\/p>\n \u00a0 <\/span>6. <\/i><\/b>\u015e<\/i><\/b><\/span>eferd\u00een<\/i><\/b>– chant religieux y\u00e9zidi de tradition kurde 4\u201906 \u00a0 <\/span>7. Al-bint el shalabiyya<\/i><\/b><\/span> – chant traditionnel d\u2019Irak 3\u201909 \u00a0 <\/span>8. Longa Riad<\/i> (Farah Faza)<\/b> \u2013 instrumental arabe (Riad Sombati, 1906-1981) 3\u201911<\/span><\/p>\n \u00a0 <\/span>9. Y\u00e2 hab\u00eeb\u00ee<\/i><\/b><\/span> – chant traditionnel d\u2019Alep, Syrie 4\u201930 10. \u2018Al maya, \u2018Al maya<\/i><\/b> <\/i>– chant traditionnel de Syrie 7\u201919 <\/p>\n CD2<\/p>\n \u00a0 <\/span>1. El Rey Nimrod<\/i><\/b> – instrumental, traditionnel s\u00e9pharade d\u2019Isra\u00ebl 2\u201931<\/span><\/p>\n \u00a0 <\/span>2. Sabiha<\/i><\/b> – chant traditionnel du nord de la Syrie 9\u201919 \u00a0 <\/span>3. As for tall<\/i><\/b> – chant du Liban (Marcel Khalife, 1950) 5\u201914 \u00a0 <\/span>4. Lamoun\u00ee<\/i><\/b> – chant traditionnel du Maroc et de Tunisie 3\u201950 \u00a0 <\/span>5. La\u00efli Dj\u00e2n<\/i><\/b> – chant traditionnel d\u2019Afghanistan 3\u201933 \u00a0 <\/span>6. Hal Asmar<\/i><\/b> – chant traditionnel de Syrie 5\u201907 \u00a0 <\/span>7. Ya Mariam el bekr<\/i><\/b> – chant \u00e0 la Vierge de Syrie 3\u201915 \u00a0 <\/span>8. Kevok<\/i><\/b> – danse et chant de tradition kurde 6\u201927 \u00a0 <\/span>9. Apo xeno meros<\/i><\/b> – chant traditionnel de Gr\u00e8ce 6\u201923<\/span><\/p>\n \u00dcsk\u00fcdar<\/i><\/b> – chant traditionnel d\u2019Istanbul<\/p>\n Improvisation<\/i> <\/b>– Bangladesh Ghazali tal j\u00e0hri<\/i><\/b> – instrumental, traditionnel du Maroc 10. \u2018Al maya, \u2018Al maya<\/i><\/b> <\/i>– chant traditionnel de Syrie (bis) 3\u201910 _<\/p>\n ORIENTE LUX The expression \u201cEx Oriente Lux\u201d, which inspires our title ORIENTE LUX, refers first of all to the light which always dawns in the East, but it also refers to the spiritual light emanating from the ideas and the cultural and spiritual traditions of the ancient civilisations of the Near and Far East. That is why the fundamental contributions of the oral traditions of Eastern music to the development of our medieval musical traditions and in dialogue with them, have inspired the Orpheus 21 project.<\/p>\n This project, which was born as a social and cultural initiative to support refugee and immigrant professional musicians in Europe, took place throughout 2017 and 2018 thanks to the essential collaboration of Waed Bouhassoun and Moslem Rahal, two exceptional Syrian musicians. Together with them we have created an original programme, presented in this live recording the symbolic theme of \u201cPaths of exile and hope\u201d. A group of magnificent musicians from Syria, Bangladesh, Belarus, Morocco and Turkey came together in the development of this project. With the collaboration and supervision of soloists from Hesp\u00e8rion XXI, as well as the Syrian musicians Waed Bouhassoun and Moslem Rahal, and myself, the Orpheus 21 team carried out a remarkable pedagogical and artistic project centred on young refugee musicians hosted in various towns and cities in Europe, with the aim of giving a voice to this diversity of age-old musical legacies which are preserved in the memory of all these extraordinary musicians. Let us not forget that many of them, who today are forced to become refugees or immigrants in our excessively fearful and ungenerous Europe, are the bearers of an unwritten memory, of a rich musical culture which is on the brink of disappearing. Because this culture comes from regions which for many years have been devastated by terrible wars, by blind terror or savage colonialism.<\/p>\n + information in the CD booklet<\/p>\n JORDI SAVALL Translated by Jacqueline Minett<\/p>\n","protected":false},"featured_media":2436,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[86,87],"class_list":["post-2622","product","type-product","status-publish","has-post-thumbnail","product_cat-higlighted","product_cat-sacd-en","product_artists_cat-hesperion-xxi-en","product_artists_cat-jordi-savall-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product\/2622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/media\/2436"}],"wp:attachment":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/media?parent=2622"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product_brand?post=2622"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product_cat?post=2622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/b>Dialogue des \u00e2mes \u00b7 Di\u00e1logo de almas
\nDialogue of souls<\/em><\/p>\n
\n<\/span>Azmari Nirjhar<\/p>\n
\n<\/span>Rebal Alkhodari et tous<\/p>\n
\n<\/span>Rusan Filiztek<\/p>\n
\n<\/span>Abo Gabi et tous<\/p>\n
\n<\/span>Rusan Filiztek<\/p>\n
\n<\/span>Rebal Alkhodari<\/p>\n
\n<\/span>Meriem Moubine<\/p>\n
\n<\/span>Rebal Alkhodari et tous<\/p>\n
\n<\/span>Ibrahim Keivo<\/p>\n
\n<\/span>Yacine Karboa<\/p>\n
\n<\/span>Imad Amrah<\/p>\n
\n<\/span>Azmari Nirjhar et Rebal Alkhodari<\/p>\n
\n<\/span>Abo Gabi<\/p>\n
\n<\/span>Waed Bouhassoun<\/p>\n
\n<\/span>Ru\u015fan Filiztek et Ibrahim Keivo<\/p>\n
\nAzmari Nirjhar<\/p>\n
\nTous les musiciens ensemble<\/p>\n
\n<\/span>Rebal Alkhodari et tous<\/p>\n
\n<\/b>Music of solidarity against oblivion
\n<\/b>[Orpheus 21: Paths of Exile and Hope]<\/p>\n
\n<\/b>Smyrna, 15th April, 2023<\/p>\n