AVSA9927<\/strong><\/p>\n The twenty pieces comprising the musical collection in the Codex Trujillo del Per\u00fa<\/em> are an exceptional case in the history of the indigenous music of the New World. This collection of tonadas<\/em>, cachuas,<\/em> tonadillas<\/em>, bayles<\/em>, cachuytas <\/em>and lanchas <\/em>offers a glimpse of the repertory native to the traditions of the country, as indicated by the text of one of the cachuas <\/em>sung \u201cal uso de nuestra tierra<\/em>\u201d (\u201caccording to the customs of our land\u201d) and in particular the songs and dances favoured by the popular classes who lived in the \u201cViceroyalty of Peru\u201d <\/em>at the end of the 18th century.<\/p>\n","protected":false},"excerpt":{"rendered":" DANCING AND SINGING The twenty pieces comprising the musical collection in the Codex Trujillo del Per\u00fa<\/em> are an exceptional case in the history of the indigenous music of the New World. This collection of tonadas<\/em>, cachuas,<\/em> tonadillas<\/em>, bayles<\/em>, cachuytas <\/em>and lanchas <\/em>offers a glimpse of the repertory native to the traditions of the country, as indicated by the text of one of the cachuas <\/em>sung \u201cal uso de nuestra tierra<\/em>\u201d (\u201caccording to the customs of our land\u201d) and in particular the songs and dances favoured by the popular classes who lived in the \u201cViceroyalty of Peru\u201d <\/em>at the end of the 18th century.<\/p>\n The vast majority of the songs are tonadas <\/em>or chansons <\/em>intended to be danced and sung (\u201cpara baylar cantando<\/em>\u201d), and although most of the texts are in Spanish, displaying the characteristic variants of Spanish as it was spoken by the native Indians, the collection also includes texts in Quechua and Mochica,<\/em> which \u2013 like the music itself \u2013 show a clear relationship with the indigenous cultures of Indian and African origin. All these elements explain the highly distinctive style of these \u201cnative songs\u201d which clearly sets them apart from the music of Spain and that of the New World. They have been handed down to us by composers of the same period who were active at court or in the major churches of the Viceroyalty of Peru.<\/p>\n + information in the CD booklet<\/p>\n JORDI SAVALL
\n<\/strong>MESTIZO FESTIVITY IN PERU
\n<\/em><\/strong>Codex Trujillo<\/em><\/strong>, <\/strong>ca.<\/em><\/strong> 1780<\/strong><\/p>\n
\n<\/strong>Washington\/Durham (USA)
\n27\/30 April 2018
\nTranslated by Jacqueline Minett<\/p>\n","protected":false},"featured_media":2030,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[87],"class_list":["post-2836","product","type-product","status-publish","has-post-thumbnail","product_cat-sacd-en","product_artists_cat-hesperion-xxi-en","product_artists_cat-jordi-savall-en","product_artists_cat-la-capella-reial-de-catalunya-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product\/2836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/media\/2030"}],"wp:attachment":[{"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/media?parent=2836"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product_brand?post=2836"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.alia-vox.com\/en\/wp-json\/wp\/v2\/product_cat?post=2836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}