{"id":2682,"date":"2022-01-11T16:13:25","date_gmt":"2022-04-29T16:13:25","guid":{"rendered":"https:\/\/alia-vox.com\/producte\/ars-lachrimae\/"},"modified":"2025-01-14T10:22:07","modified_gmt":"2025-01-14T10:22:07","slug":"ars-lachrimae","status":"publish","type":"product","link":"https:\/\/www.alia-vox.com\/it\/producte\/ars-lachrimae\/","title":{"rendered":"ARS LACHRIM\u00c6<br\/>Buxtehude \u00b7 Bach \u00b7 Froberguer"},"content":{"rendered":"<p>The title of this programme, <i>Ars Lachrim\u00e6,<\/i> takes as its principal reference John Dowland\u2019s masterly and inspired pavan. In aesthetic terms, it is a profoundly original meditation on musical emotions as a reflection and paradox of human existence.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"p1\" style=\"text-align: center;\">ALIA VOX DIVERSA<br \/>\n<b>AV9947<br \/>\n<\/b><b>67\u201919<\/b><\/p>\n<h3 class=\"p1\" style=\"text-align: center;\"><b>Ars Lachrim<\/b><span class=\"s1\"><b>\u00e6<\/b><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Sonata en do menor, BWV 1003\/964 <\/b>&#8211; J.S. Bach <span class=\"s1\">(1685-1750) <\/span><\/p>\n<p class=\"p2\" style=\"text-align: center;\"><span class=\"Apple-converted-space\">\u00a0 <\/span>1. Grave <span class=\"s2\">4\u201946<br \/>\n<\/span>2. Fuga <span class=\"s2\">8\u201913<br \/>\n<\/span>3. Andante <span class=\"s2\">5\u201943<br \/>\n<\/span>4. Allegro <span class=\"s2\">6\u201925<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Suite No. 18 en sol menor, FbWV 618 <\/b>&#8211;<b> <\/b>J.J. Froberger <span class=\"s1\">(1616-1667) <\/span><\/p>\n<p class=\"p2\" style=\"text-align: center;\"><span class=\"Apple-converted-space\">\u00a0 <\/span>5. Allemande <span class=\"s2\">3\u201950<br \/>\n<\/span>6. Courante <span class=\"s2\">1\u201935<br \/>\n<\/span>7. Sarabande <span class=\"s2\">2\u201951<br \/>\n<\/span>8. Gigue <span class=\"s2\">1\u201941<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Suite en re menor, BuxWV 236 <\/b>&#8211; D. Buxtehude <span class=\"s1\">(1637-1707)<\/span><\/p>\n<p class=\"p2\" style=\"text-align: center;\"><span class=\"Apple-converted-space\">\u00a0 <\/span>9. Allemande <span class=\"s2\">3\u201951<br \/>\n<\/span>10. Courante <span class=\"s2\">2\u201910<br \/>\n<\/span>11. Sarabande <span class=\"s2\">2\u201926<br \/>\n<\/span>12. Gigue <span class=\"s2\">1\u201954<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Suite en do menor, BWV 997 <\/b>&#8211;<b> <\/b>J.S. Bach <span class=\"s1\">(1685-1750)<\/span><\/p>\n<p class=\"p2\" style=\"text-align: center;\">13. Prelude <span class=\"s2\">4\u201906<br \/>\n<\/span>14. Fugue 6<span class=\"s2\">\u201918<br \/>\n<\/span>15. Sarabande <span class=\"s2\">4\u201924<br \/>\n<\/span>16. Gigue &amp; Double <span class=\"s2\">7\u201901<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Enrike Solin\u00eds<br \/>\n<\/b><b><i>La\u00fad barroco &amp; Archila\u00fad<\/i><\/b><\/p>\n<p class=\"p2\" style=\"text-align: center;\">Grabado en septiembre de 2021 en la Iglesia de Azkarate (Navarra, Espa\u00f1a)<span class=\"Apple-converted-space\"><br \/>\n<\/span>por Jonan Ordorika y Jordi Gil.<\/p>\n<p class=\"p2\" style=\"text-align: center;\"><b>Mastering y mezcla: Sputnik Estudio (Jordi Gil), Sevilla<\/b><\/p>\n<p class=\"p2\" style=\"text-align: center;\">Producci\u00f3n: Enrike Solin\u00eds y Miren Zeberio<\/p>\n<p class=\"p4\" style=\"text-align: center;\">TEXTOS EN EUSKERA, CASTELLANO, FRAN\u00c7AIS, ENGLISH<\/p>\n<h2 style=\"text-align: center;\">_<\/h2>\n<p class=\"p1\" style=\"text-align: center;\"><b>ARS LACHRIM\u00c6<\/b><\/p>\n<p class=\"p1\">The title of this programme, <i>Ars Lachrim\u00e6,<\/i> takes as its principal reference John Dowland\u2019s masterly and inspired pavan. In aesthetic terms, it is a profoundly original meditation on musical emotions as a reflection and paradox of human existence. The piece is a paradigm of how the rich musical tradition of the Renaissance poured its final musical inspiration into the lute and of how composers such as the English John Dowland endowed the instrument with a basic idiom and distinctive musical character. Although not expert lute players, later composers succeeded in harnessing this character as a catalyst for their own creativity: an intimate, gentle and melancholy pathos that can be traced back to the instrument\u2019s arrival in southern Europe with the Arab musicians of the Iberian peninsula.<\/p>\n<p class=\"p4\" style=\"text-align: right;\"><b>ENRIKE SOLIN\u00cdS<\/b><\/p>\n<p class=\"p5\" style=\"text-align: right;\">Translated by Jacqueline Minett<\/p>\n<p style=\"text-align: right;\">+ informazioni nel libretto del CD<\/p>\n<p class=\"p5\">\n","protected":false},"featured_media":2330,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[105,92],"class_list":["post-2682","product","type-product","status-publish","has-post-thumbnail","product_cat-cd-it","product_cat-eccezionale","product_collection_cat-alia-vox-diversa-it","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/product\/2682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/media\/2330"}],"wp:attachment":[{"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/media?parent=2682"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/product_brand?post=2682"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.alia-vox.com\/it\/wp-json\/wp\/v2\/product_cat?post=2682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}